High Tech High’s exhibition night of 2008 was an evening filled with art, photography, ringing bells, life-size DNA samples and numerous students talking about their projects to the masses. This was my third exhibition night here at the High Tech village and this year stood out from my previous years. Last night’s exhibition was very interesting because not only did we show the final products of our projects, but we were in the middle of the project so we showed our audience our final products in progress. Overall I though that this year’s exhibition night was a success and also quite self-fulfilling in my part. Prior to the exhibition I was quite nervous, however once it actually started my partner and I discussed our material well within the math-physics portion of our exhibition. Our group did very well with our audience and we provided them with significant information and presented our projects with pride. We were able to educate our audience about the content behind our pinhole camera project, and I had very interesting and engaging conversations with my audience during while exhibiting the graphic novel project. Something that I believe somewhat lacked was that at times, I personally would either talk too fast and my brain would get ahead of my mouth. I was mainly confident when talking about the material however as a human being, I naturally get nervous at some point when discussing the projects. This is definitely something that I would like to change and do differently next time, because there would be no point in talking about something if your audience doesn’t understand you. Throughout my different shifts in the classroom, I was asked many different questions regarding the projects and I was able to answer them confidently. However there was a moment while I was in the “photography studio” and someone asked me a question that somewhat stumped me because I couldn’t quite understand the question itself. So to somehow doge from answering the question itself and providing a wrong answer, I shifted the conversation to what I did know so that I didn’t leave that person with a fixed answer.
Overall I enjoyed exhibition night and I can’t wait to see what lies ahead for us next year and the years to come.Friday, April 18, 2008
Tuesday, April 1, 2008
As I’ve said before in my previous blog, characters are what truly drives a great story. I believe that even though the plot of a story isn’t amazing, if the characters in that story are well developed, complex, yet still relatable, then the entire book itself will turn out to be memorable.
To help us develop and enhance our characters our class used the art of drama improvisation. Before we actually had to embody the characters we created for our graphic novel, we first did a series of exercises that helped us loosen up our bodies, take away our inhibitions, and to prepare us to become our character. I was an active participant in the exercises and I believe that they truly did aid me in trying to become one of my characters. For one of the character study exercises, we were required to embody one of our characters each, and strike a statue-like pose. We needed to learn and decide how our character would stand, their posture, and most importantly their facial expressions. I first decided to be the character of Lobsang Namkha, who is a one-armed monk who has strived for redemption and forgiveness. At first I wasn’t quite sure how I was going to portray him, how old I wanted him to seem. However, once I was put into the spot light I literally became my own character, as if his spirit entered my body. I started to develop more of a background story for him in my head as I introduced my character to the rest of the class. I came up with the idea of having Lobsang look older than he seems, because although most men at 66 years old are still strong, Lobsang’s body has physically been worn down by his regret. Before this exercise, I hadn’t imagined what my character would actually sound like, or how he would stand, but just by giving a small introduction of myself as my character, I was able to come up with new idiosyncrasies for him as well as other characters. I want Lobsang to sound like a very old men who has acquired wisdom through the mistakes he has made in his life. The voice would be gentle yet hoarse, with a soft tone with a hint of phlegm in it.
Another character study exercise that we did was to act out a short scene created based off of our story synopsis. I performed a scene that incorporated one of my other main characters, Rabten, who in the scene is talking to the Dalai Lama and taken on a spiritual journey. In the scene itself I had to act alone but perform as if I had another actor accompanying me. From doing this scene I was able to realize that Rabten is actually much more vulnerable than he seems to be, and somewhat narrow-minded at times. I didn’t realize this myself because I think that the character won’t even admit it. While in the scene, I tried to feel what my character felt, and tried to think my characters thoughts. It seemed that Rabten is someone who plays more by the books, someone who doesn’t typically think outside of the box. Since he is so committed to being a monk and studying Buddhist philosophy, he often loses the human touch of things. This is why the spiritual journey caught him by so much surprise and confusion; because he’s never heard or seen anything like it.
Overall I enjoyed the activity very much. I truly do love drama, not only because it allows me to become the crazy, eccentric, and melodramatic person that I really am, but it also allows me to unwind my tenseness. Although I probably doubt that I’d end up being a huge Hollywood award-winning actress, I do love the drama.
To help us develop and enhance our characters our class used the art of drama improvisation. Before we actually had to embody the characters we created for our graphic novel, we first did a series of exercises that helped us loosen up our bodies, take away our inhibitions, and to prepare us to become our character. I was an active participant in the exercises and I believe that they truly did aid me in trying to become one of my characters. For one of the character study exercises, we were required to embody one of our characters each, and strike a statue-like pose. We needed to learn and decide how our character would stand, their posture, and most importantly their facial expressions. I first decided to be the character of Lobsang Namkha, who is a one-armed monk who has strived for redemption and forgiveness. At first I wasn’t quite sure how I was going to portray him, how old I wanted him to seem. However, once I was put into the spot light I literally became my own character, as if his spirit entered my body. I started to develop more of a background story for him in my head as I introduced my character to the rest of the class. I came up with the idea of having Lobsang look older than he seems, because although most men at 66 years old are still strong, Lobsang’s body has physically been worn down by his regret. Before this exercise, I hadn’t imagined what my character would actually sound like, or how he would stand, but just by giving a small introduction of myself as my character, I was able to come up with new idiosyncrasies for him as well as other characters. I want Lobsang to sound like a very old men who has acquired wisdom through the mistakes he has made in his life. The voice would be gentle yet hoarse, with a soft tone with a hint of phlegm in it.
Another character study exercise that we did was to act out a short scene created based off of our story synopsis. I performed a scene that incorporated one of my other main characters, Rabten, who in the scene is talking to the Dalai Lama and taken on a spiritual journey. In the scene itself I had to act alone but perform as if I had another actor accompanying me. From doing this scene I was able to realize that Rabten is actually much more vulnerable than he seems to be, and somewhat narrow-minded at times. I didn’t realize this myself because I think that the character won’t even admit it. While in the scene, I tried to feel what my character felt, and tried to think my characters thoughts. It seemed that Rabten is someone who plays more by the books, someone who doesn’t typically think outside of the box. Since he is so committed to being a monk and studying Buddhist philosophy, he often loses the human touch of things. This is why the spiritual journey caught him by so much surprise and confusion; because he’s never heard or seen anything like it.
Overall I enjoyed the activity very much. I truly do love drama, not only because it allows me to become the crazy, eccentric, and melodramatic person that I really am, but it also allows me to unwind my tenseness. Although I probably doubt that I’d end up being a huge Hollywood award-winning actress, I do love the drama.
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